exhibition views

The photo series takes its cue from the UnderCurrents Magazine (Vol. 6 / 1994) that sparked the conversation around queer ecologies. Showing blurred coral beds, drifting kin and refracted surfaces that play with the expectation of underwater photography as transparent or documentary like, resisting the clarity and (binary) categorization of normative and colonial visions of „nature“. Quiet dissent that embraces the unseen and camouflaged, the indistinct and the disorientation. The protagonists of this series refuse the tidy legibility of the tourist gaze and lean on queer perceptions, that offer an ecology of response, of messiness, fluidity and curious entanglements, where beauty emerges through distortion and ambiguity rather than order and control.